Archive for May, 2010

You know, I have to admit, I am definitely not the biggest fan of the Black Metal genre. I mean, sure, anyone who knows me personally will tell you I am a huge fan of Venom, the Viking anthems of Bathory and have been known to fly to Germany to watch as Viking ships are set on fire and sent to Valhalla. Not that Viking ships at Manowar shows in Germany have much to do with black metal other than the fact that bands who live in Norway like to kill each other, burn down churches and sip glasses of wine whilst uttering the words ‘freedom’ and ‘Satan’. Hey, I’ve been known to do the same thing on those lonely nights in front of the wood fire during Winter storms as I hang out in my secluded cabin in the middle of a forest. Actually, not a lot of that makes sense. Ignore it and let’s move on.

When I was in highschool, I used to listen to Venom all the time. Like over and over again. Each weekend was spent scouring through vinyl stores looking for albums I didn’t have (yes, even the period when Cronos wasn’t singing in the band; “Prime Evil” really is a great record). My obsession with Venom got to the point where these idiots came to my house one night and put crucifix’s all over my front yard with notes of Christian scriptures attached to them. I punched one of the dudes out cos he was a dickhead and disrespectful to my mum’s front yard. ANYWAY, the moral of the story is this… actually, I have no idea. It happened and I remembered it related to people thinking I was evil. My name’s Damien so obviously I attracted remarks like “the Omen!” and “The Devil’s child!” and all this other lame shit. It all came to blows one day when one of them, Tommy, said to me “Hey headbanger, show us how you bang your head!” and smacked my head against the wall. It was kinda like a scene from the movie “Trick Or Treat” (1986) with me as Eddie Weinbauer, Tommy as Tim Hainey and Venom as Sammi Curr. So I retaliated the same way and it appears I won as Tommy never came back to school. Yeah, take that Tommy! Note: If you haven’t seen this remarkable film, I suggest you do so immediately if only to remember such great record covers like this one from Exciter.

ANYWAY, Watain’s latest album, “Lawless Darkness”, was actually my introduction to the band. I mean, I knew of them. Hell, I think I even saw them at Wacken in 2008 (3 days of metal can become a bit of blur when you forget what sleep is like). But this was the first time I have sat through some studio offerings from Sweden’s sons of Satan. And sat through it I did. From start to finish. I didn’t burn down a single church, set fire to a crucifix or burn a cross into my forehead each Sunday. Shit, I didn’t even turn the record backwards (or in this case, use a audio program to reverse the MP3’s) which is something I did upon hearing the garbled nonsense at the start of Venom’s “In League With Satan” (off their “Welcome To Hell” album – which is pure genius by the way, no one can sound so shit yet sound so awesome at the same time. Venom are gods!)

“Lawless Darkness” kicks off with a track called “Death’s Cold Dark” and mate, I tell you now, it’s pretty full on. It’s pure black metal, but kinda like punk black metal, which I am sure no Black Metal fan wants to hear this band described as but the attitude is very much punk. The whole “we couldn’t give a fuck if you like it or not” attitude is very much in place. How do I know this? Cos if you want to make a shitload of money, you don’t start a black metal band. Well, maybe you did back in the day but probably not now. Still though, this shit’s pretty intense. Like those early Bathory records before Quorthorn (R.I.P.) started singing about his ancestors, Viking mythology and making groundbreaking albums like “Hammerheart” (which I have to say is one of my favourite metal albums of all time and anyone who likes good music should own a copy). Watain’s barrage of heavy guitars, melodic solos, and screaming vocals reminds me a lot of early Celtic Frost and Possessed (remember them? They had the dude from Primus in make-up, nine inch nail arm-bands and blood). Even early Entombed or the comical Death Breath I would say are similar and I actually like both of those bands.

ANYWAY, like I said, black metal isn’t my forte. I own a few records (vinyl only so I can keep it heaps more evil) and even own a Gallhammer DVD but to sit down and listen to this kind of music is a real chore for me. But like the trooper I am, I gave it a shot and I didn’t mind this at all. I mean, I can’t see me cranking it up when I invite some sassy lass over for some romantic loving but if I want to annoy the neighbours then this would definitely be my first choice. It’s pretty gripping stuff and I can’t work out any of the words but I am sure I did hear the word “whore” a few times and the word “horror” was heard during the song “Wolves Curse” (that’s a heaps good song title). The latter also has a killer breakdown in the middle and a wolf howling in it. Aaawwwooooooooo!

Watain, to put it mildly, is brutal. More brutal than the brutalist music you have ever heard (I am sure that sweeping statement will bring in some disagreements but I don’t care, this is coming from a dude who also listens to Poison, Great White and I even own a Kix LP so it’s quite clear I have no clue about anything.) I must say that for the production, it’s really punk rock; raw but not lo-fi. Just straight to the point. Like you know what you’re getting when you pick this album up. It’s not misleading, you get what you pay for. It’s pretty epic and the songs go forever; this album is a whopping 80 minutes long with no song shorter than 5 minutes and the longest being “Waters Of Ain” which clocks in at 14 minutes and 28 seconds (and is the only song on the album that has non-screaming vocals, albeit only for like 3 lines, but you gotta hear the guitar solo after that bit, totally like RUSH or “Sleeping In The Fire”-era W.A.S.P. or something). That’s some serious value for money.

Fans of that book with the church burning on the cover and those who like rehearsing in a cave, playing with candles, swords, corpse paint and changing your name to something Nordic and strange will absolutely love this. Actually, I don’t do any of that and I still enjoyed it cos musically, I gotta give these dudes props. They know what to do. They have the whole package going on here. And if I remember correctly, their live show was pretty chaotic. If you like people, happiness and calling your cats cute names like Tickles or Socks, you’re probably not gonna like this.

Watain’s latest offering hits the streets June 7th, 2010. Click the link below to secure your copy.

Watain on Myspace
Season of Mist Records website
Order “Lawless Darkness” from Riot! Entertainment

Another label batch of reviews for you. Off The Hip is a record store and label based in Melbourne (381 Flinders Lane, Melbourne, Victoria. Phone: +61 3 9621 2044) and is without a doubt my favourite record store in the country. Specialising in power-pop and garage rock, the shop is well-stocked full of rock n roll grub for your consumption. And occasionally, we are lucky enough to be a part of the shop’s label parties where they throw free booze and bands for rock n rollers like us to just wander in, browse the swag, eat chips and drink while the trashy sounds are spewed forth from the vintage amps and PA system. Good times! ANYWAY, What I have dished up here is a whole swag of OTH releases that I have been sent since the last issue of Long Gone Loser Magazine. You can hear tunes from these releases played on the Long Gone Loser Rock Show Podcast that is done each week. Either way, here’s a nice taster of what span in my CD player from the OTH label. Read on and then go out and support these bands either at a show or by simply visiting the Off The Hip website and laying down some cashola.

JOHNNY CASINO AND THE SECRETS – “I Am Who I Am, Not Who You Want Me To Be” (Off The Hip)
Johnny Casino and his band are without a doubt one of the greatest live bands in Australia at the moment. Yes, really. If you disagree, you simply don’t know what you are talking about. Now, he delivers us his new album and it’s quite simply one of the best releases of 2009 with its stunningly superb musicianship and songwriting. Again, Johnny is backed by an all-star line-up of Aussie rock n rollers from various bands such as the Eastern Dark, the Persian Rugs, Hoodoo Gurus, and others resulting in an album that is nothing short of awesomeness. Each song, hand-crafted from the very mold used to create the genre known as rock n roll, is dished up with such precision, you’ll be flamin’ groovin’ in no time. Johnny Casino has done it again buckos. Oh and if you haven’t already, pick up his previous effort, “New Clothes, Old Shoes”. This dude’s got it goin’ on. Two thumbs up.

JOHNNY CASINO AND THE SECRETS – “Live on 3PBS” (Off The Hip)
Seeing Johnny Casino and band live is always an experience. You can’t go wrong. His shows are always entertaining, you will always get a solid performance, and most importantly, the music is fuckin’ great. This live on 3PBS album is a 10 track live to air that he did in 2008 on one of Melbourne’s most prestigious radio stations and to put it bluntly, it’s a powerhouse of rock n roll. Kudos must go out to the mixing and production as the quality on this CD sounds fuckin’ great. It’s well mixed and the songs are played with such high energy that you can feel the sweat dripping through your stereo speakers and trust me, at a Johnny Casino show, there’s bucketloads of the stuff being dripped from pores throughout the room. Turn it up, keep it cranked, rock like fuck. Nice work!

LITTLE MURDERS – “Stop Plus Singles. 1978 – 1986” (Off The Hip)
I had never heard the Little Murders until this CD ended up on my desk. I knew absolutely nothing about them. Now, this CD is perfect for me to catch up on a forgotten gem, or in my case, a never knew about before gem. This disc features 27 tracks of some of the catchiest power pop you will hear and won’t be long before you start singing along. It’s definitely got that blend of UK 70’s punk and jangly pop that was so prominent in the 80’s. A good collection of stuff I had never heard before or a great re-introduction to those who heard and may have forgotten. Hit picks: “Things Will Be Different” and “After The Fire”.

MASS CULT SUICIDE – “Mass Cult Suicide” (Off The Hip)
In the mid-80’s, there were tons of indie labels spewing forth great indie releases across Australia. The country was filled to the brim with so many great indie records and each weekend I would blow my pocket money on buying 45’s and LPs of these bands. How on earth does this relate to MCS? Well, they sound like they are from that era and listening to this record reminds me of those years gone by. I can’t explain it too well but I am sure you get the drift if you were there in that time. Their bio says they are influenced by Iggy, The Damned, Bowie and Lou Reed and you know what? That’s pretty fuckin’ spot on. These cats sound like a combination of those 4 at one time or another on this CD, and sometimes all at once… only from Melbourne. It’s not a bad release at all. Groovy!

MIDNIGHT WOOLF – “Tropical Disease” (Off The Hip)
Surfin’ exotica twangin’ garage rock n roll ala the Cramps and a bunch of other cool shit. I saw Midnight Woolf play a show supporting Johnny Casino one night and upon walkin’ in to the Greyhound I saw these 3 hip cats wearing sunglasses at night beating the hell out of their guitars while a chick in a black halter top was pounding the hell out of her drums all whilst the audience, respectfully, cheered for more. I was blown away, to put it mildly. The Woolf rocked and I’m sure Andrew W.K. agrees. For those counting at home, I am told by the way of their bio that this here is their fourth album. Fourth? What the hell happened to the other 3 and why aren’t they on my desk for review? I’ll have to follow that up. In the mean time, you need to hunt this down like Gary Glitter hunts kids at a primary school. “Tropical Disease” has a nice distinct sound that sounds nothing like all the other Melbourne bands I have heard whilst in my first year of living here. This could be due to the fact that the rumour mill claims they’re Spanish. But this is speculative… even if their names do end in Sanchez. If they are in fact following rock n roll’s highway to hell instead of bull fighting in sequined sombrero’s and tights then let’s give them 3 cheers cos this album is some tiki diggin’ sweetness. Two thumbs up and a plate of nachos. Viva!

RUSSIAN ROULETTES – “R&R” (Off The Hip)
With a resume consisting of members that were in The Specimens, Kamikaze Trio, Digger & The Pussycats, The Go Set, and Legends Of Motorsport, you know you’re gonna get some quality well schooled musicianship on this debut disc right here from these Melbourne sha-waddy-waddys (that’s a cool word). This some lo-fi garage rock cranked up to 11. Everything here has been recorded in its natural garage state. There are 11 ballsy blues-inspired songs of fuzztoned riffs and jams. I like it! Coulda done without the cover of “I Just Wanna Make Love To You” cos it didn’t match up to the quality of their originals. But who am I to judge? I like Skid Row. Anyway, I have never seen these guys live yet but now I know that must change immediately. For fans of The Mummies, Gasoline, and pretty much every other band on the Estrus label. Niceness!

SCREWTOP DETONATORS – “3, 2, 1… I’m Done” (Off The Hip)
When Muscle Car toured Perth on the ‘Single As Usual’ tour, we shared the stage with local band, the Screwtop Detonators. Immediately I became a fan. They had balls, they rocked like fuck, they brought it and they kicked out the jams. Their only problem being that they lived in Perth… far away from the rest of the country where they laid unknown to anyone outside the Swan Basement in Fremantle. A couple years later this quartet came to their senses and moved to Australia’s capital of rock ‘n’ roll, Melbourne, bringing with them a whole swag of new songs, a new sound and the same high energy they had when I first saw them tear up a stage. As soon as I had heard this album was being recorded, the anticipation of its arrival began growing. And labels rejected this, they didn’t think it was any good or they didn’t think it would sell. That was until Mickster at OTH heard the release and immediately signed the band. I bet he’s laughing now. Screw you labels that ignored them! So readers, are you with me yet? You getting the picture here? The rest of the world needs to see this band. They need to hear this record. It’s one of the best Aussie releases of 2008. The tunes are catchy as fuck with guitar and vocal harmonies so damn good that it’s hard to NOT like them. There’s something very fuckin’ good going on here. Sure, the sound has changed since that time I saw them in 2004 but the songs are still as good, if not better. Everyone matures as they grow and that’s just what has happened with the Screwtops. Catch them live, buy this album, rock like fuck and enjoy good time power pop rock n roll… the way it should be played.

THE CHEATS – “Hats Off To The Cheats” (Off The Hip)
Not to be confused with the 274 other bands called The Cheats, this groovy duo hail from Melbourne, Australia and deliver garage blues rock n roll ala The Dexteens, The Gimmicks, The Black Keys, and The Immortal Lee County Killers, yet still manage to hold that sound that makes you instantly think “Australian band!”… Hell, sometimes Julian Tovey’s vocals remind me of Stewie from Brother Brick and quite frankly, I think that’s a good thing. Love that band. The Cheats have wicked guitar riffs and strong musicianship which makes this two-piece soul machine stand alone in a time when it seems everyone wants to do the duo thing. Damn you, Jack White! Granted it does make it easy for touring and obviously = more cash but some days I just like to hear a bass guitar in my mix. Unless of course the guitarist in the band is competent enough to make the recording sound as though there’s more than just 1 guitar track… as heard in his album right here. Cool shit!

THE CREEP OUTS – “Hopeless Friends” (Off The Hip)
These guys hail from England and have that whole beat R&B thing going on. You know the Nuggets boxset? That stuff. This duo know the vintage sound and how to get it. Staying true to the sound of an era long gone by, these 14 tracks will have fans of bands no ones ever heard of decked to the nines in mop tops and suits handing over cash for this hot number in no time. And why? Cos it’s pretty good, that’s why. “Hopeless Friends” is an ode to the beat generation, a time when record collecting would have been tons of fun and a lot harder than it is these days now that the internet has helped us locate those hard to find gems. While it wasn’t the greatest album of the last year, it had some golden moments that will please most fans of the genre. My only beef was a couple of the slower numbers tended to drag a bit but that’s cos I’m a picky cunt who probably listened to too much Ramones as I was growing up.

THE DOMNICKS – “Hey Rock ‘N’ Roller” (Off The Hip)
Dom Mariani (The Stems) and Nick Shepherd (The Clash, replacing Mick Jones when he went off to that Big Audio Dynamite shit) have gotten together to dish up a nice little mini-album of melodic garage rock n rollers. It definitely has that UK R&B soul from the 60’s and early 70’s and the track ‘Already There’ reminds me heaps of Grand Funk. Works for me! I love that shit. Mixed by the team of Rob Younger (Radio Birdman) and Wayne Connolly (The Welcome Mat), they have given The Domnicks a superb sound that is a sure fire hit and destined to be a fave for years to come. You see, truth be told, I am not the biggest Stems fan. I mean, I like ‘em but I am not a diehard “The Stems Are The Greatest!” type of guy so for me to praise this, you gotta trust me that I aint doing it for the cred. I am pissing in these guys pockets cos this is a really good record, well, CD. There’s not a dud track in these 8 songs. That’s pretty good bang for your buck in a world where people are buying singular tracks cos so many albums these days are filled with filler cos bands have gotten lazy. A solid release from these cats and I hope to see a follow up in the not to distant future cos these 8 tracks… I mean, a mini album? Really? Who does mini albums these days? Full length please.

THE GOODNIGHT LOVING – “The Goodnight Loving” (Off The Hip)
First listen had me skipping tracks looking for an instant catch all hooks driven power pop gem. I didn’t find it. I was probably in a stupid mood cos when I went back to this record and listened to it again on a nice sunny day, I kicked myself for previous idiotic thoughts. This album is fuckin’ fantastic! It’s catchy as all fuck and the songs are so well written and structured with sheer perfection that you wanna get up off your ass and dance around the room… which is what I would do if I didn’t have arthritis in my knees. The Goodnight Loving is totally infectious and boppin’. It’s uptempo power pop with a nice jangly garage sound. Sweet to the ears and the harmonious vocals will have you singin’ along in time. Really great stuff!

THE PINK FITS – “Super Mini Album” (Off The Hip)
Oh mate, we have here 6 tracks of great power pop garage rock n roll on the label that hasn’t done me wrong and these boppin’ jivers from Wollongong are creating tunes that do more than just please these ears. The opener, “Saturday Night Millionaire” is so catchy and melodic. It’s garage punky power popness that is just so damn danceable. And I don’t even like dancing. Hot damn, what a tune! Then there’s the third track, “Maybe Tomorrow”; a jukebox boppin’ a loo boppa-doo little ditty that gyrates, grates and rubs you up in all the ways imaginable. Just like you did to your first date when trying to get to second base. This EP is so good and I can’t wait to hear more. It’s like Guitar Wolf would sound if they spoke clear English and actually spent some money on recording an album. There’s something for every fan of kickass jives and boogaloos on this disc. Heaps good and totally recommended.

WRONG TURN – “2” (Off The Hip)
The second album from duo Wrong Turn finds themselves a drummer change but all for the better as they now have good ole Myles Gallagher (The Zeal, The Double-Agents) pounding the skins. Good jivin’ blues here with harmonica and hand claps. You’d think there’s nowhere left to go for a two piece feed with the abundance of bands doing it but I tells ya now, bass players, who needs ‘em? I mean, really? Well, actually that’s not true. Even the ole White Stripes have snuck in a bass on their albums at times, as have The Black Keys. But for Wrong Turn? Bass players not welcome here bucko! Saxophone’s are invited but you 4 stringers can keep out. No trespassing! Recorded on completely vintage equipment, the sound is real lo-fi without sounding shit like a Mummies record (who still somehow sound awesome, by the way). Combined with 2 pretty suave Stones covers (‘Turd On The Run’ and ‘Off The Hook’), there’s 14 tracks here for your consumption and I think you’ll dig it bigtime.

I have to applaud this label. It’s owner, Reverend Beat-Man, is doing music for the right reasons; because he loves it. Sure, if he makes a buck or 2 on the side then that’s cool too, he deserves it. In a day where the CD is dying (while the vinyl survives), it must be getting tougher and tougher for small independent labels to survive but Beat-Man, well, he is hanging in there. Fighting the good fight. Doing what he does best. And that is why I applaud this man. Each release arrives at my PO Box and is always welcomed with opened arms. Voodoo Rhythm live by their own code of ethics; “Records to ruin any party”. I’m afraid nothing could be further from the truth… if you like noisy garage lo-fi trashy rock n roll, that is. And I do, so this works out just fine for me. Since the last issue of LGL has no reviews in it, I shall start by putting them here. What you will find below is the batch of Voodoo Rhythm releases that I received since issue #14 hit the newstands. If words aren’t good enough, you can always tune into the LGL podcast and you will hear songs played from these very releases cos sometimes, it’s good to hear what I am rambling about. No?

All God's Children Have ShoesANDY DALE PETTY – “All God’s Children Have Shoes” (Voodoo Rhythm)
What a great album title. Seriously. How good is that? Anyway, the music found within by Andy Dale Petty is a bit like, okay, well it’s heaps like Bob Dylan (and even includes a cover of Bob’s “Walking Down The Line”). The story about this dude is that he hops trains and plays his guitar in towns around the place. If there’s any truth to that, it’s a unique way to tour and you never know, such trends may just take off. King Khan thinks this dude is the shit and gives him two thumbs up. Repeated listens got me thinking “That King Khan fellow knows what he’s talkin’ about” cos I got hooked in and enjoyed this album a lot. Good guitar playing in the folk country style. It’s a nice little Sunday afternoon record and being that I am writing this review on a Sunday makes me agree with that statement even more.

My Shit Is PerfectBOB LOG III – “My Shit Is Perfect” (Voodoo Rhythm)
It’s hard not to enjoy the repetitive sounds of once Tucson’s, now Melbourne’s Bob log III. His one man band of tit-clappin’ Southern fried goodness has been rockin’ across the world for many years now, releasing records all over the place, each one from the same formula, all enjoyable. Now after a 4 year hiatus he releases his first album for Voodoo Rhythm and it’s just what you’d expect from a Bob Log III release; Slide guitar country and blues with intangible lyrics sung through a telephone. Exactly. “My Shit Is Perfect” is good times right through from opener to finisher. If you know his stuff, you know what you’re getting, if you don’t, see what all the fuss is about. There’s a reason Tom Waits worships his every move and it sure ain’t financial. Dig it!

The Sheik Said ShakeHIPBONE SLIM & THE KNEE TREMBLERS – “The Sheik Said Shake” (Voodoo Rhythm)
Kicking off with a track titled “We All Got Somebody That We Want To Kill”, the latest album from Hipbone and his cohorts is another blast of blues and swagger brought to you by those folks at Voodoo Rhythm. This goofy rockabilly-esque band play music the way I like it. It’s well recorded, the songs are well written and structured just perfectly, and the sound is authentic and sweet. I loved the first Hipbone album and this one is just killing me. Groovy baby! This stuff is just something else. So go on buddy, put a rocket up it and dance the one legged rock cos after all, the sheik said shake, dammit!

Wrestling Rock N RollLIGHTNING BEAT-MAN & HIS NO TALENT – “Wrestling Rock N Roll” (Voodoo Rhythm)
He just keeps churning them out. One after another. Beat Mean Zeller is possibly the most prolific garage rock n roll songwriter of the last 20 years. The man just doesn’t stop. Originally released in 1994 as a 10” record only, Voodoo Rhythm have finally(?) reissued this slab of trash rock inspired by wrestling and hot sweaty sex with highschool girls who don’t know any better. There’s no drum kit, just a masked Beat-Man luchadore armed with only a headlock, his guitar and a Tascam 4 track recorder. Now unleashed on the public, these sleazy sounds of low budget schlock have been repackaged with 3 bonus cuts totaling 19 tracks of fuzztoned insanity. If you know Beat-Man and his incredible history of raw lo-fi trash, you know that this is one wild rummage through the garage of rock n roll. Probably one for the diehards.

Brule LentementMAMA ROSIN – “Tu As Perdu Ton Chemin” / “Brule Lentement” (Voodoo Rhythm)
They call this band a power Cajun trio… from Switzerland. Nice! What an interesting combo. Enough so that this accordion thrashin’ country waltz blues band. Unlike anything I have come across before, Mama Rosin will get people dancin’. These 2 albums are kinda all over the place. They don’t fear trying new styles, adding bizarre instruments and arrangements to their sound. Most bands that overindulge in experimenting end up sounding shit but for these guys, it somehow works, strangely enough. My fave of the two was probably “Brule Lentement” with its upbeat feel throughout. Mama Rosin are probably not for everyone but it’s definitely for me. It’s crazy shit, and I’m a bit left of the dial anyway so this works for me. Although, repeated listens could have its novelty value wear off so I recommend that unless you really dig the Cajun sound, probably best to approach with caution and don’t listen too often.

MelvilleMOVIE STAR JUNKIES – “Melville” (Voodoo Rhythm)
Kinda like the Beasts of Bourbon played lo-fi crossed with The Stooges, but from Italy. That’s what I am hearing, others might hear something else. Their bio says they’re like the Birthday Party and the Gun Club. Two bands I have never owned any records of so for me to make a comparison to that would be silly. Still, this is pretty good. I like the mix of western styles and swamp blues. It’s a dark sounding album but it’s catchy and the playing is pretty on the money. Interesting if nothing else, but I liked it. The lo-fi ear damaging that can be caused if played at high volume levels might have you leaving this off your iPod but you will find times when such an album needs to be played. Most probably at a funeral once everyone’s absolutely sloshed on wine and beers.

Black Vodoun Space BluesPIRATE LOVE – “Black Vodoun Space Blues” (Voodoo Rhythm)
Mixing the punk angst of the Dead Boys, the intensity of early Black Flag, and the psychedelica of 60’s beat, Pirate Love from Norway are a force to be reckoned with. This shit is in your face, it’s completely chaotic and totally over the top. Such an interesting combo of noise and they make it work. It’s pretty hard to describe this band but it’s probably like a 50’s version of Lubricated Goat playing Fuzztones songs? Yeah, something like that but probably not. Either way, it’s brutal garage rock and I like it!

Pearls Before SwineTHE GUILTY HEARTS – “Pearls Before Swine” (Voodoo Rhythm)
This album kicks ass! This, their second offering sounds a thousand times better than their self-titled debut… and I quite liked that! It’s amazing what the addition of a bass guitar will do to one’s sound, especially when his upbringing involved The Fuzztones and the Lords of Altamont. Nice! These LA cats have really dished up the goods with a solid garage rock n roll record that’s worthy of your time. It’s a rompin’ stompin’ mix and the recording has that loose live feel, a sound without processes, pitch correction or noise gates. I love this sound. It sounds like you’re in the studio with them as they jam these cuts to tape. Try not shakin’ to the aptly titled “Shake”. Try not groovin’ to the opener “Devil’s Tail. And you won’t be sittin’ still until the finale, “Suffer So Easy” bumps and grinds to a halt. That’s rock n roll!

Boogie The House Down - Juke Joint StyleTHE JUKE JOINT PIMPS – “Boogie The House Down – Juke Joint Style” (Voodoo Rhythm)
This was recorded in 2007!? You coulda fooled me. It sounds like it was recorded in the 50’s on some shitty 8 track or something. Like, this is vintage lo-fi blues that sounds real. Honest schlock from the heart of the soul, the Juke Joint Pimps, slop around these tunes like a bunch of wet rags. It’s like Creedance crossed with Muddy Waters meets Elmore James or something. Real jivin’ blues shit with harmonicas and slide guitar that sounds like it was recorded in a toilet. Heaps good! I really digged this shit.

I wholeheartedly recommend support for this label. It’s a real label run by a real person who loves real music. There’s no processed packaging here. Just rock n roll. Head on over to their website now for samples and whatnot.

Damo.

Click here for the official website of all things Voodoo Rhythm.
In Australia, all of Voodoo Rhythms releases can be ordered through Off The Hip Records.